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RHYTHM IS THE CURE Healing Dance and Percussion Workshop from Southern Italy & Hula from Hawaii!

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JANUARY 27 to FEBRUARY 3rd 2022 in a new peaceful setting, in Oahu: WINDWARD Quaker RETREAT CENTER : www.windwardretreat.org

Drumming classes will be held on the beach every morning!

NEW THIS YEAR: SPECIAL FEATURE HULA CLASSES with Auntie Nettie Armitage Lapilio On the tradition of PELE Hawaiin Goddess of the Earth She is a fully recognized Kumu Hula and Hawaiian Cultural Practitioner. She has been teaching Hula, Hawaiian Language and Music for 48 years. She is a practitioner of Ho’oponopono, a Traditional Hawaiian practice for healing both family and professional relationships. She is a highly sought-after professional musician and educator in Hawaiian circles.

Also featuring special guest Father Phil Harmon, founder of Kahumana Farm, a theologian who specializes in the Divine Feminine and the Black Madonna and will hold classes in the evening in the Black Madonna Chapel of the Steiner center.

Special prices at : $750 for the workshops, plus accommodations and food see below: A 25% deposit is required ASAP to hold the room at the retreat center Double $ 360 including cleaning fees deposit required 25% - special food fresh organic catering provided by Davina $40 per day for 3 meals

Payment can be may be made by VENMO ZELLE 0r with everbutton links available soon

Join us for a week you will always remember. Register today! DURING THE RHYTHM IS THE CURE WORKSHOP Participants will learn:

The unique style of tambourine playing and the ancient healing trance dance of the tarantella, used to cure the mythical bite of the tarantula. Alessandra will also teach sacred chants of the Black Madonna from Southern Italy and other parts of the world. Drumming classes will be done on the beach every morning!

Objectives of the workshop are:

--To learn the history of this powerful tambourine style, originally done mainly by women, which dates back to the rites of the Mother Earth Goddess Cybele, now worshiped as the Black Madonna and to come to understand the healing and stress-relieving effect of these rhythms and dances.

--To bring women back in touch with their lost drumming tradition.

--To make the participants feel part of community-healing ritual

TAMMORRIATA – A powerful rhythm set to an African beat played in 4/4 time in honor of the black Madonna, originally ancient rites for the Earth Goddess Cybele. It accompanies a sensual dance from Naples danced with castanets to the rhythm of the large drum, called Tammorra.

RITMO E DANZA DI SAN ROCCO (SPINNING DANCE) – This dance, originating in Calabria during the Middle Ages. It was danced during the time of the plague to help people release the overpowering fear of death. Due to the trance-inducing movements and incessant spinning, many people enter ecstatic states during this dance, similar to the Whirling Dervish ceremonies.

THE PIZZICA TARANTATA – The wild 6/8 rhythm of the Pizzica, played on medium size tambourines and accompanied by dance and song, was performed as an exorcism ritual that produced a trance-like state beneficial for healing many mental-health disorders and imbalances. As part of a re-enactment of this healing ritual, participants will play a circle and learn the ceremony : a dance where they’ll create “spider-like” movements on the ground, releasing stress and blockages of energy.

Alessandra ends the sessions using the ocean drum, creating the sound of waves in a final relaxation invoking the healing power of the water with chants to the Goddess of the Sea, the Sun and the Black Madonna. Participants are encouraged to wear white and red, and women to wear skirts. Father Phil’s Course Description:
An orientation to the teachings and practices of the Western Esoteric traditions, the Mystics, and the Saints, presented by Archpriest Philip, on the Black Madonna as the Earth-Mother in a Feminine Divine Trinity, with the Holy Sophia, her Celestial-Daughter, and with the Sacred Soul (Holy Spirit) and our Angelic Companions as the Being who unites the Earth and the Heavens.

ABOUT THE LOCATION: Windward Retreat Center The center is a place Friends and family from around the world can come together to learn, experience, and grow, in an environment of awe-inspiring beauty and tranquility. The Windward Retreat Center was designed for educators and non-profit groups looking for a special space to hold retreats, workshops, and meetings. The main meeting room is ideal for yoga, Qigong, or other open spaced events. It also can be configured for conference, classroom, or lounging. SIGHT & SOUNDS: Integrated sound and video systems were designed to bring multimedia presentations alive. High speed internet and wi-fi keep guests connected. ACCOMMODATIONSAll overnight guests will be treated to wonderful nights sleep. All beds are the finest quality hotel beds that are triple sheeted for a five-star nights sleep. The Windward Retreat Center is a nonprofit organized in a manner consistent with the traditions, testimonies, faith and practice of the Religious Society of Friends (the Quakers).

PLEASE REGISTER BY OCTOBER 15 ! The workshop fee is 750 Registration fee $150 (due by October 15) (Non Refundable) Click here to register https://www.everbutton.com/pay/4005 Remaining Workshop Tuition $600 (due November 30) Click here to pay remainder of tuition https://www.everbutton.com/pay/4006

PLEASE REGISTER EARLY Workshop is limited to 12 students****

Any questions? Contact us at ABelloni@aol.com

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Rhythm is the Cure Workshop

"RHYTHM IS THE CURE" 
HEALING DRUMMING AND DANCE RETREAT 
 SICILY, ITALY 
 
AUGUST 17 to the 24th, 2021
Learn more HERE 
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Connect with Alessandra!

Connect with I Giullari!

NYU CASA ITALIAN ZERILLI MARIMO’ PRESENTS:


'LA CANTATA DI NATALE from the production "LA CANTATA DEI PASTORI"

(The Shepherd's Cantata)

 

December 18 at 7:00pm

24 West 12 Street – RSVP needed

Celebrating I GIULLARI DI PIAZZA 40th Anniversary

and home base at New York University

 

honoring Prof. Stefano Albertini and Kostja Kovic

 

A Neapolitan Renaissance Christmas show - Based on the Traditional Southern Italian Play Written by Andrea Perrucci in the 17th century and still performed annually in the environs of Naples.  

Told by masked character of Commedia dell”Arte, narrated in English by LA BEFANA (the Good Witch of Christmas) featuring  the Italian Bagpipe.

 

The concert will feature the southern Italian traditional Christmas music of the show, narrated by la Befana.

The story of the play is set just before the birth Christ, during Mary and Joseph's journey to Bethlehem, and the devil has dispatched his demons to stop the Savior's birth. Their escapades are entwined with those of Razzullo, one of the Pulcinella masks here depicted as a comic, mischievous Neapolitan scribe to is always hungry. 

Conjuring up tempests, dragons and other unseemly tricks, the demons try to do away with the play's characters but all are under the Angel Gabriel's protection and the holy couple finally reaches Bethlehem. Before good triumphs over evil, there is an incredible clash, in dance between the archangel and the devil and a grotesque, but humorous, depiction of heaven and hell.

I Giullari di Piazza will be celebrating their 40th anniversary! and this production was first presented at NYU in 1984 with the sponsorship of the Italian department, where the company was in residence for 10 years.

 Compilation of pictures

The cast includes:

Artistic director Alessandra Belloni also in the role  of Mary -mezzo soprano, percussion, 

Max Mc Guire – as la Befana 

 Joe Deninzon – devil, violin

Susan Eberenz flute - piccolo recorders 

Wilson Montuori or Enrico Granafei - classical guitar 

Serena Davini - percussion

Mark Mindek Archangel Gabriel on stilts

James Karcher – Devil sword fighter 

 Alex Ross, The New York Times
"A musical play presented by the traditional Italian group I Giullari di Piazza (is) a rarity among Christmas programs; it somehow manages to be both riotously entertaining and   curiously haunting, even profound......a vibrant and uproarious performance."

Jon Pareles The New York Times

The music, directed by John La Barbera, is folkish, aiming for vitality above precision and often achieving both. The adaptation, by the troupe's director, Alessandra Belloni, is geared for action rather than quiet piety; in a climactic battle, Miss Belloni as Maria beat a large drum and sang out while the Angel Gabriel  took on the dragon. Giuseppe de Falco as Razzullo (and Vincenzo Corrao as the birdlike Sarchiapone)  shared slapstick duties.