Upcoming Events

Mar7

FESTA DELLA DONNA (Women's Day)

Laurie Beechman Theater, 407 West 42nd Street, New York, NY

LA FESTA DELLA DONNA

Celebrating Italian and Italian American Women in New York. Produced by Vanessa Racci

75 minute show   $25 to  $30 ticket price yet (all patrons subject to $50 food and beverage charge) Location: The Laurie Beechman Theater - Downstairs at the West Bank Cafe (407 West 42nd Street Between 9th and 10th avenues) Performers:

Internationally renowned singer, percussionist  director, author Alessandra Belloni presents: 

 a special performance o: "TARANTATA" -featuring excerpts from the production SPIDER DANCE, South Italian Tarantella trance dances, ritual drumming and healing chants for the Black Madonna,Mara Gerety violin and dancers Francesca Silvano and Greta Campo.with  ALSO FEATURING  Vanessa Racci: Italian Jazz Singer Jenna Esposito: Italian Pop Singer  Regina Decicco: Comedian Maria Dimmino: Comedian

Mar8

Tarantella Workshop

DAYA YOGA, 360 Jefferson Street, New York, NY

  CELEBRATE  WOMEN  INTERNATIONAL DAY  with the healing TRANCE DANCE AND RHYTHMS OF THE TARANTELLA in a workshop taught by  INTERNATIONALLY RENOWNED SINGER, PERCUSSIONIST, DANCER ALESSANDRA BELLONI! AUTHOR OF THE BOOK 'HEALING JOURNEYS WITH THE BLACK MADONNA, published by Inner Traditions - Bear & Co.

SUNDAY MARCH 8  - 8:00pm

Daya Yoga Studio 360 Jefferson St, New York, New York 11237

Early Bird $40 :: Day Of $50

Join us at Daya Yoga Studio for a day of experiencing the healing power of Southern Italian tarantella rhythms and dance with internationally renowned singer, percussionist, and teacher, Alessandra Belloni. We’ll learn the traditional ancient healing trance dance of the tarantella, used to cure the mythical bite of the tarantula, in use for centuries throughout the Mediterranean. We’ll create a community healing ritual as our bodies move in ways that help us to open the energy points and stay grounded.

featuring : THE PIZZICA TARANTATA or Spider Dance– This erotic and dynamic ritual dance originated as a cure for the mythical bite of the Tarantula, a condition causing a mental disease called tarantismo, which afflicted mainly women (tarantate) in Southern Italy. The wild rhythm of the Pizzica, played on medium size tambourines and accompanied by dance was performed as an exorcism ritual which produced a trance-like state beneficial for the healing of many disorders and imbalances. As part of a re-enactment of this healing ritual, Alessandra will lead the participants in a circle dance accompanied by her magic tambourine 6/8 rhythm and singing. During the ritual each student will learn the steps of the Pizzica, which means “ bite,” building up to a culmination where each student will enter the circle and lay down upon a white sheet, surrounded by red ribbons, and emulate "Spider" like movements on the ground, releasing stress and blockages of sexual energy, as well as opening the heart and throat chakras. The dance comes to completion as each participant dances their way out of an imaginary “Spider Web", achieve inner balance and relief of stress while restoring spiritual and physical energy is a major theme of this work.  

We’ll also learn a unique style of traditional Southern Italian tambourine playing, including variations of the basic 6/8 rhythm of the Tarantella. These rhythms and movements represent an unbroken chain of inspiration and expression of sound and dance, dating back to the rites of the Mother Earth Goddess Cybele, and kept alive into the present. We will learn the history of this powerful tambourine style, traditionally done by women. Empowering women to get in touch with their ancient roots.

  MORE INFORMATION Observation on the tarantella. It has been used in Italy and the Mediterranean for centuries to cure people, mainly women, who suffered a form of mental depression known as tarantismo, attributed to the mythical bite of the tarantula. According to what Alessandra observed in her practice and personal experience in teaching healing workshops around the world, “tarantismo” may be defined as depression, suicide mania, hysteria, aggression, and sexual dysfunction resulting from sexual abuse. In modern day music therapy the tarantella rhythm targets especially women who have been abused and suffer from emotional and physical disorders, including cysts, dysplasia, irregular bleeding, and early menopause.

Join My Mailing List

Enter your email address

Rhythm is the Cure Workshop

Rhythm is the Cure is an intensive healing workshop featuring Southern Italian ritual dances used as music and dance therapy for centuries throughout the Mediterranean. Participants will learn the unique style of tambourine playing and the ancient healing trance dance of the tarantella, used to cure the mythical bite of the tarantula.

The number of participants and length of the workshop can be customized to your needs--one day to 10 days is possible.

Contact Alessandra for more details and to discuss programming Rhythm is the Cure near you!

Connect with Alessandra!

Connect with I Giullari!

NYU CASA ITALIAN ZERILLI MARIMO’ PRESENTS:


'LA CANTATA DI NATALE from the production "LA CANTATA DEI PASTORI"

(The Shepherd's Cantata)

 

December 18 at 7:00pm

24 West 12 Street – RSVP needed

Celebrating I GIULLARI DI PIAZZA 40th Anniversary

and home base at New York University

 

honoring Prof. Stefano Albertini and Kostja Kovic

 

A Neapolitan Renaissance Christmas show - Based on the Traditional Southern Italian Play Written by Andrea Perrucci in the 17th century and still performed annually in the environs of Naples.  

Told by masked character of Commedia dell”Arte, narrated in English by LA BEFANA (the Good Witch of Christmas) featuring  the Italian Bagpipe.

 

The concert will feature the southern Italian traditional Christmas music of the show, narrated by la Befana.

The story of the play is set just before the birth Christ, during Mary and Joseph's journey to Bethlehem, and the devil has dispatched his demons to stop the Savior's birth. Their escapades are entwined with those of Razzullo, one of the Pulcinella masks here depicted as a comic, mischievous Neapolitan scribe to is always hungry. 

Conjuring up tempests, dragons and other unseemly tricks, the demons try to do away with the play's characters but all are under the Angel Gabriel's protection and the holy couple finally reaches Bethlehem. Before good triumphs over evil, there is an incredible clash, in dance between the archangel and the devil and a grotesque, but humorous, depiction of heaven and hell.

I Giullari di Piazza will be celebrating their 40th anniversary! and this production was first presented at NYU in 1984 with the sponsorship of the Italian department, where the company was in residence for 10 years.

 Compilation of pictures

The cast includes:

Artistic director Alessandra Belloni also in the role  of Mary -mezzo soprano, percussion, 

Max Mc Guire – as la Befana 

 Joe Deninzon – devil, violin

Susan Eberenz flute - piccolo recorders 

Wilson Montuori or Enrico Granafei - classical guitar 

Serena Davini - percussion

Mark Mindek Archangel Gabriel on stilts

James Karcher – Devil sword fighter 

 Alex Ross, The New York Times
"A musical play presented by the traditional Italian group I Giullari di Piazza (is) a rarity among Christmas programs; it somehow manages to be both riotously entertaining and   curiously haunting, even profound......a vibrant and uproarious performance."

Jon Pareles The New York Times

The music, directed by John La Barbera, is folkish, aiming for vitality above precision and often achieving both. The adaptation, by the troupe's director, Alessandra Belloni, is geared for action rather than quiet piety; in a climactic battle, Miss Belloni as Maria beat a large drum and sang out while the Angel Gabriel  took on the dragon. Giuseppe de Falco as Razzullo (and Vincenzo Corrao as the birdlike Sarchiapone)  shared slapstick duties.